Showing posts with label surreal. Show all posts
Showing posts with label surreal. Show all posts

Tuesday, August 17, 2010

The Happiest Music in the World


We've known for a long time that Kazuo Ishiguro is just the postmodernist to brighten your day! Sometimes, when I'm feeling really sad, I just think about that butler, walking alone down the boardwalk and wondering if he would connect with people if he sometimes made jokes, and I cheer right up! ...Just let me pause a second to wipe my eyes. No, of course I'm not crying about The Remains of the Day. What a ridiculous idea. It's just, uh, just allergies.

Kaz, at least, seems happy enough about it. In fact, he's a pretty happy guy who seems perfectly capable of normal human emotion and interaction. So why does his usual smile seem a bit dimmer, more mysterious, as if he were repressing a forbidden emotion or dark secret the way only a Kazuo Ishiguro character can? It's because he's about to BLOW YOUR MINDS. That's right. Because the seemingly mild-mannered Mr. Ishiguro also wrote the screenplay for The Saddest Music in the World. Yes, the same one directed by that Wizard of Winnipeg, Guy Maddin (who should probably have his own post here, as soon as we convince him to get a Twitter account)*. So next time you think about Kazuo Ishiguro, raise a glass of beer for him. And if that beer is Lady Port-Huntley Beer, all the better. And if you're drinking it out of a glass prosthetic leg, then that's bizarre. But a fitting tribute nonetheless.

*Andreas (aka Pussy Goes Grr) suggests that Winnipeg may not have the Internet, but rather a "steampunkish, 2-strip Technicolor simulacrum thereof." Nonetheless, I think we'll see Guy tweeting someday, and I hope that all of his tweets, when we finally convince him to join, will later be used as titles in a silent film about a mad scientist putting on a musical while coming to terms with his childhood and the death of his own child as well as the harsh land that has been his only home.

Tuesday, July 20, 2010

Transitional Tuesday: Man Ray and André Breton: A Dialogue


ANDRÉ: Bonjour, Man.
MAN RAY: Hey, André. Ready for the photo shoot? I've got everything all set up, so if you could just go sit in that chair and look kind of contemplative, I'll take the shot, and then I can get back to looking at Kiki de Montparnasse.
ANDRÉ: Sounds good, Man, but I did bring a few things of my own. I hope you don't mind.
MAN RAY: Well, let's face it André, you're not the one who's the greatest photographer of all time here. But I do like that cardigan. Is it made out of the same material as your pants?
ANDRÉ: Yeah, surreal, right? But listen. I'll just go sit down and get this thing ready to go. You'll love it, I promise.
MAN RAY: I spent all day setting this up, André, can we just take the picture? Wait….
ANDRÉ: TA-DA! I cut a hole out of my pillow, then strapped it on with these awesome leather goggles I found at the thrift store!
MAN RAY: Um…I dunno, André. You're sure you don't want to look a little more serious? I was thinking something a little more noir.
ANDRÉ: This IS serious, Man. Trust me. It will look formidable! exceptionnel! excellent! sensationnel! merveilleux! magnifique! fantastique!*
MAN RAY: Alright, how about we take one of each. Let me just tell Kiki I'll be a little late. OK, just look at me and try to look serio….I can't do it! You look ridiculous.
ANDRÉ: If you don't just look away and take the shot, I won't let you be a surrealist anymore.
MAN RAY: OK, OK, I got it. Now let's do a profile….ok, very nice. Looks like we're done here.
ANDRÉ: You sure you don't want a few more shots with the glasses?
MAN RAY: Please don't put those on again. Look, I gotta go be inspired by Kiki now, so how about I just bring these to the surrealist meeting tomorrow?
ANDRÉ: All right, see you then.

…the next day, at the meeting...

MAN RAY: I've got the shots, André. What can I say? The camera loves you.
ANDRÉ: Let's see. Beautiful! I don't really care for the profile, though.
MAN RAY: sigh.
ANDRÉ: Hey Louie, Tony, come check this out!
LUIS BUÑUEL: Woah. It's like everything in my subconscious is right there!
ANTONIN ARTAUD: Awesome. Cruel, almost. Gives me some ideas. Oh, hey Man, next week could you take a photo of me looking like a vampire version of Jake Gyllenhaal?
MAN RAY: For you, I was thinking of something more….well, whatever. I'll call Kiki.
ANDRÉ: Wait. You can keep the profile.
MAN RAY: sigh.

I DID NOT WRITE THIS. THIS IS THE TRUE STORY OF HOW THE GREATEST PHOTO SINCE IT AND THE WORLD BEGAN WAS TAKEN.

*André Breton loves Téléfrançais. It is the true expression of surrealism.

Friday, July 2, 2010

Modernist Friday: Les Mamelles (Hereuses) de Tirésias


How to follow that post about Susan Sontag? Why, with Guillaume Apollinaire, of course! Have I ever actually read him? Or course not! I like many things, but I'm not that into turn-of-the-century modernist erotica. Here he looks like kind of a creeper, but happy enough. Most of all I'd like to note that smooth, clean shave. I have it on good authority that Guillaume actually shaves with a picture of a razor fitted with a razor's edge (apologies to Hodgman), and I'm all about that porkpie hat. I mean, Guillaume looks, well, like a young don Juan who may have fathered a child with his own aunt! You can't tell me you wouldn't be happy, too! Dying from the Spanish flu after being weakened by a war wound, well, that's just the icing on this surreal cake, or the filling in this modernist-surrealist sandwich, or the strawberries on this vaguely erotic, automatically written shortcake, or....yeah!